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Simon & Schuster
(July 7, 2009)
Paperback: 368 pages
$15.00
ISBN-13: 978-1416569992
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Reading Group Guide

INTRODUCTION

In Promise of the Wolves, the first book in Dorothy Hearst’s epic trilogy, The Wolf Chronicles, the rebellious spirit of Kaala Smallteeth animates the Swift River pack of the Wide Valley. Born of a forbidden, mixed-blood litter and treated as an outcast after her mother is exiled, Kaala struggles to earn her place in the pack.

But Kaala’s world is turned upside down when she rescues a human girl from drowning. When Kaala and her young packmates begin hunting and playing with humans—risking expulsion from their pack and banishment from their home in the Wide Valley—she learns that she is the last in a long line of wolves charged with keeping watch over humans in order to prevent them from losing touch with nature and thus destroying the world.

Soon, war between humans and wolves threatens, and Kaala must choose between safety for herself, her friends, and their human companions and the survival of her pack—and perhaps all of wolf- and humankind.

DISCUSSION QUESTIONS

1. What do the three rules that guide the covenant of wolves in the Wide Valley—to stay away from humans as much as possible, to never kill a human unprovoked, and to mate only with wolves inside the valley—reveal about the tensions between wolves and humans in this region? How did this covenant originally arise, and what roles do the Greatwolves and the krianans play in transmitting this to the packs that inhabit the Wide Valley?

2. “‘You must stay and become part of the pack. Do not come for me until then. You have promised.’” How does the forced departure of Kaala’s mother, Neesa, from the Swift River pack affect Kaala’s standing among her fellow wolves? Why do the Greatwolves support Neesa’s being exiled, but refuse Ruuqo when he wants to kill Kaala because of her mixed blood? To what extent does Kaala’s existence in the Swift River pack depend on the Greatwolves’ ongoing protection of her?

3. How would you characterize Ruuqo’s relationship with Kaala? To what extent does Kaala strive to win Ruuqo’s admiration and respect? In what ways does Ruuqo thwart Kaala’s efforts to obtain romma? How are Ruuqo’s feelings for Kaala complicated by his own brother’s being exiled for interacting with humans?

4. “My legs shook and my head whirled. My chest began to burn like the very fires the humans kept, and I felt as if an invisible vine had wrapped itself around my heart, and now pulled me over to the human homesite.” How does Kaala’s attraction to the humans in her midst betray her unique heritage? Why does she risk being exiled from the pack to help save TaLi?

5. In Promise of the Wolves, author Dorothy Hearst gives the reader a deep look at wolf life from the actual source—the entire novel is narrated from the perspective of Kaala. How did the insights you gained from seeing the world through the eyes of a wolf impact your appreciation of this novel and the wolf as a species? If you could have asked Kaala any questions about her experiences, what would they be?

6. “Trevegg walked over to him. ‘No wolf is a pack unto himself, Ruuqo,’ the oldwolf said softly.” How does the author explore the similarities between wolves and humans in Promise of the Wolves, and why does she choose to juxtapose them repeatedly? Why might the human–wolf relationship elicit anxiety or fear in some cultures or societies? How is this anxiety related to long-standing historical assumptions about wolves?

7. Throughout Promise of the Wolves, other animals—including the raven Tlitoo and the elkryn Ranor and Yonor—are given voices that wolves can understand. How do some of the more fantastical elements of this novel—the fact that animals can communicate with humans and with one another—affect your regard for this work of fiction? To what extent did you find yourself appreciating or being distracted by some of the more fantastical elements?

8. “I’d thought my feelings for TaLi were wrong and unnatural. Now this wise and ancient human was telling us that it was not so, and that so much of what we’d been told about the humans—and about our own history—was untrue. How could I believe her?” Why do the Greatwolves mislead Kaala and the other wolves in her pack, and why does TaLi’s grandmother, a krianan, choose to expose their deception?

9. Kaala is helped along her journey by many: her mother, Neesa; her aunt, Rissa; Zorindru and the other Greatwolves; her packmates Ázzuen and Marra; Trevegg; Tlitoo; Lydda, the spiritwolf; and TaLi and her grandmother. Of all of these aides, who do you think is most responsible for her survival and why? How does Kaala’s development over the course of the novel, from outcast and misfit to mature she-wolf, reflect the typical arc of a fictional protagonist? In what respects is Kaala like other heroines in novels you have read?

10. “‘I started a journey that you must complete, daughterwolf.’” What role does Lydda, the spiritwolf, play in Kaala’s awakening to her heritage as the wolf that can unite wolves and humans? How do her interactions with Kaala throughout Promise of the Wolves reveal her allegiances? Why do you think the author chose to begin and end the novel with glimpses of Lydda, and how did her decision to do so affect your appreciation of this novel as part of a continuum, or larger story, about the wolves in the Wide Valley?

A CONVERSATION WITH DOROTHY HEARST

Q. Can you describe your experiences with wolves in the course of researching and writing Promise of the Wolves?
A. They pretty much just walked into my apartment one day, and then wouldn’t leave. Kept gnawing on my ankles until I agreed to write about them.

I’ve had the opportunity to see wolves both in the wild, in Yellowstone, and at wildlife sanctuaries. My first wolves were at the Cleveland Zoo. I was attending a conference for work and found out that there was a wolf habitat at the zoo, so I snuck away from the conference and hung out with the wolves pretty much until the zoo closed. The wolf expert there was nice enough to talk to me for a long time, and then directed me to a wolf-watching trip in Yellowstone. Seeing wolves in the wild was an unbelievable experience, because it’s fascinating just to watch them move across a landscape and feed at a carcass—just doing the things wolves do. I’ve been back to Yellowstone once since and will go again. The first time I got to meet wolves face-to-face was after I’d completed Promise. A photographer I’d met put me in touch with Never Cry Wolf Rescue, which takes in wolves and wolf hybrids that people have tried and failed to keep as pets. That’s where I got the photo op with Dante, the arctic wolf hybrid in my author photo, and got to meet the other wolves there as well. I got to pet a three-month-old wolf puppy. I managed to restrain myself from smuggling her home in my car, but just barely.

Q. At what point in your writing process did you realize that Promise of the Wolves would be the first book in a trilogy about wolves in the Wide Valley?
A. On about page 200, when I realized that I was only about a third of the way through the story I wanted to tell. That’s when I decided it was going to be two books. Then I went to the International Wolf Conference and got a lot more ideas, and that’s when it became a trilogy. If I learn too much more about wolves, it’s going to end up being twelve volumes.

Q. What kinds of limitations or challenges did you experience in choosing Kaala, an untested female wolf, as the first-person narrator of your novel?
A.

It actually provided great opportunities, as opposed to limitations. One of the greatest joys of being a fiction writer is that you get to transform yourself into someone else and transport yourself into a different world. You get to make believe, and even more so if you tell your story from an unusual perspective. When I write, I more or less become Kaala, and am really moving through her world and seeing things from her perspective. And, of course, one of the greatest tools in a writer’s box is defamiliarization, because both you and your readers get to see things afresh. Writing as a young wolf was a great way to make that happen.

Even the limitations I did encounter ended up helping me, because they forced me to be disciplined about choices that I made as a writer. For example, writers are often told that we should avoid metaphors that have been used before and make up our own, but it’s really hard to do that. Telling the story from the point of view of a wolf forced me into new metaphors. I couldn’t say that leaves blanketed the ground, because wolves don’t have blankets—the metaphor was inappropriate. So I had to find something new—a pelt of newly fallen leaves. And I was really, really, really bad at descriptions when I started writing, and all my early readers told me that I needed to describe the wolves’ world better. But I couldn’t do it. I knew I should describe a tree or plant or river, but I didn’t know how, so I’d say, “It’s a tree. It’s green. What else do you want from me?” Then I started thinking about how those things would look (and smell, and sound) from a wolf’s perspective and suddenly I was able to describe them.

Q. Wolves are so often given the roles of villains in fantastical literature. Is your trilogy a conscious attempt to renovate their fictional portrayal?
A. It is, but it didn’t start out that way. I knew very little about wolves or wolf lore when I first got the idea for the book and, like a lot of people, I thought of wolves as vicious, frightening creatures. It was only after I started reading up on them that I realized what a bum rap they have—both in life and literature. Then I got intrigued. Why were wolves—which almost never attack or harm humans and which are responsible for far fewer livestock deaths than dogs or coyotes—reviled more than any other creature? From Little Red Riding Hood and medieval werewolf tales, to the 2004 Bush campaign ad that used wolves in the grass to symbolize the terrorists that the Democrats couldn’t control, wolves are portrayed as the most dangerous and evil of creatures. On the other hand, in Native American legends, wolves are admired as great hunters and warriors. What is it about wolves that arouses such intense and unwarranted fear and hatred in some and such reverence in others? Why do hunting cultures admire wolves and sedentary cultures see them as such dangerous competition? These questions were part of what really hooked me and inspired me to move from idea to actually writing a book. One of the themes I want to continue to explore in The Wolf Chronicles is the power of story and how who tells a story can influence a society’s beliefs and choices.

Q. Is the setting of the Wide Valley based on any real-life location where wolves currently roam?
A. Although all of the plants and animals in the book are from southern Europe about 14,000 years ago, I didn’t want to place the Wide Valley too definitively. Partly because archaeologists keep digging up new stuff that challenges what we “know” about what happened when and where in ancient times, but mostly because I wanted the Wide Valley to be a mythic place. That being said, Lamar Valley in Yellowstone, where many of the Yellowstone wolves are, was certainly an inspiration, as was the Dordogne Valley in France, where I went to see cave paintings and carvings.

Q. What do you think accounts for the fascination people have with wolves, and how does this relate to your own interest in them?
A. I really do believe that there’s an ancient and very profound link between humans and wolves. We have such a visceral and instinctive response to both wolves and dogs that something had to have been wired into our brains pretty early on in our development. Also, wolves and humans have strikingly similar social structures—much more so than humans and chimps. That’s why dogs fit so easily into our lives—wolf societies and human societies have so many similarities that we can transfer our social attachments to each other. Plus, wolves represent the world of nature and wildness that we’ve lost, and yet they seem so familiar to us, and so we are drawn to them. And then there’s our love of dogs. We have domesticated wolves living in our homes, so it’s natural that we are fascinated with their wild sisters and brothers.

Q. In the course of your research, what were some of the more unusual facts you learned about wolves and their interactions with one another that you were unable to include in this novel?
A. Well, I was very disappointed that I had to cut the wolf sex scene when I realized that Kaala was still going to be underage by the end of the book. That was a really hard scene to write. And there’s so much about wolf evolution and how it converges with human evolution that I couldn’t fit in, because it would’ve added another fifty pages of exposition to the book. And I have pages and pages of wolf behavior that there wasn’t room for. It’s one of the reasons I was so happy that it will turn out to be more than one book.

Q. You worked as an editor prior to becoming an author, and Promise of the Wolves is your first novel. Did your editorial experience aid or impede you as you delved into the world of fiction?
A.

It helped in so many ways. One of the most important was that I learned that writing is hard work. I published nonfiction books for a professional audience, and so all of the authors I worked with were already very successful in their fields. They approached writing as if it were another business task. I would see an early draft that had a lot of flaws, and the author worked and worked until it was right. So I learned that you can take something that isn’t working, and craft it until it does, and that keeps me from panicking if I don’t like something I’ve written. I still go deep into the creative realm and let myself play with the magic of writing, but then I am very workmanlike about the craft part of it, especially revision. Another helpful thing I learned is to keep your audience in mind as you write. Your story has to come from yourself and what you love, but if you want others to enjoy it, too, then every chapter, every paragraph, every sentence has to be written keeping in mind the question, “How will my readers experience this?” Remembering that keeps me from getting too self-involved and too serious about myself.

The biggest downside is that I can be too professional and stuffy about my writing, and can take myself way too seriously. I have to remind myself sometimes that writing is make-believe and I’m supposed to play and have fun. It doesn’t matter if there never were predatory elk—I can make them up if I want to.

Q. What is the status of wolves in the United States? Are they protected?
A.

Wolf conservation requires constant vigilance. There are people fighting hard to keep wolves safe, and people fighting just as hard to get rid of them. At the time I’m writing this, in July of 2009, a very important population of wolves will lose endangered species protection unless court challenges and citizen action are successful. It’s a fight that has been fought before and will have to be fought again. Here’s how it happened:

Wolves were completely eradicated in the Lower 48 states after a concentrated extermination program in the 1930s. Gray and red wolves were eventually placed under federal protection by the Endangered Species Act, and in 1995 and 1996 gray wolves were reintroduced in Yellowstone and central Idaho. On March 28, 2008, the federal government removed Endangered Species Act protection from the Northern Rocky Mountain gray wolf population, despite the fact that scientists do not consider their recovery complete, and in spite of the fact that state governments immediately started putting in place extremely aggressive wolf-killing programs. A coalition of nonprofit organizations filed a lawsuit to halt the delisting and was successful—for awhile. Now wolves are at risk of being delisted again. Under the delisting rule, as much as two-thirds of the current Northern Rockies wolf population can be killed—including pups and nursing mothers. The wolf conservationists are taking it back to court, and I hope that by the time you’re reading this, the wolves have gotten their protection back.

You can find out more about this from Defenders of Wildlife and the Natural Resources Defense Council. Other than that, different populations are protected or not in different ways. The red wolf is still on the endangered species list (there are only a hundred of them in the wild), as is the Mexican gray wolf.

Q. Can readers expect to see more of Kaala and her pack in the next books in the trilogy?
A. Absolutely. Kaala has lots more to say. If the ravens will let her.

ENHANCE YOUR BOOK CLUB

1. After reading Promise of the Wolves, have you wondered what it would be like to live the life of a wild wolf? Visit the website of the International Wolf Center to play an interactive game in which you can explore the wilderness of Yellowstone National Park, hunt elk, and encounter stranger wolves. Much like the experiences of Kaala and her pack, your success will depend on your ability to find a mate, raise pups, and ensure your pack’s survival. In the course of your visit you can also discuss the game with other online players and chat with wolf biologists.

2. Ooowwwwwwww! Have you ever heard a wolf howl in the wild? Maybe you have an idea of what it would sound like, but can you differentiate between a pup’s howl, an adult wolf’s howl, a lonesome howl, and a confrontational howl? What about a chorus of howls? To learn more about the different kinds of howls wolves make and what distinguishes them, visit this PBS site. Feel free to howl along in the privacy of your own home!

3. In Promise of the Wolves, Dorothy Hearst narrates her novel from the first-person perspective of Kaala, a young female wolf who is something of an outcast in her pack. If you were writing the story of your life and you had to do so from the perspective of an animal, what kind of animal would you choose? Would the animal be male or female, young or old, wild or domesticated? Imagine what kind of animal you would choose, and feel free to share your choice with the other members of your book group. What does each person’s choice of animal reveal about him or her? To what extent are you surprised by the animals your fellow readers chose for themselves?